Spectatorship
theories are based on the belief that film is an affective medium – that
spectators are affected by watching films.
The
nature of that affect can be:
- Short term (the length of the film)
- Medium term (a few hours or days after the film)
- Long term (years after the film)
The
nature of that affect can also be psychological, intellectual, emotional or
physical, for example
- Psychological –
- Intellectual –
- Emotional –
- Physical –
Task 1: In groups discuss what is meant by each.
If possible, give examples of films that could impact its audience in these ways.
Task 2: Consider the clips within the presentation.
If possible, give examples of films that could impact its audience in these ways.
Task 2: Consider the clips within the presentation.
A2 film fm4 b spectatorship introductory film clips (examples)
Spectatorship: Popular Film and Emotional Response
Your answer should be based on a minimum of two films.
Either
15. Explore possible reasons to explain why a second or third viewing of a film can actually increase the emotional response rather than lessen it. [35]
or
16. How far is the emotional response to mainstream films triggered by specific techniques used by the filmmakers? [35]
Homework:
Consider the previous exam question shown below and identify 3 films in which the soundtrack impacts on the emotional response of the audience. Say which emotions
- "How important is the soundtrack in influencing the spectator's emotional response to a film?"
__________________________________________________________________________
Examples of emotional response verbs:
amuse, annoy, baffle, bewilder, bore, confuse, depress, disappoint, excite, frighten, frustrate, interest, motivate, overwhelm, please, puzzle, shock, surprise.
__________________________________________________________________________
Spectatorship: Popular Film and Emotional Response
Your answer should be based on a minimum of two films.
Either
15. Explore possible reasons to explain why a second or third viewing of a film can actually increase the emotional response rather than lessen it. [35]
or
16. How far is the emotional response to mainstream films triggered by specific techniques used by the filmmakers? [35]
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